Hiperestesia Visual
superdames:


"Amazona the Mighty Woman" in Planet Comics #3 (1940) by Wilson Locke

superdames:

"Amazona the Mighty Woman" in Planet Comics #3 (1940) by Wilson Locke

semioticapocalypse:

Chris Milla
[::SemAp FB || SemAp::]

semioticapocalypse:

Chris Milla

[::SemAp FB || SemAp::]

semioticapocalypse:

Masayuki Takaura. Eyes
[::SemAp FB || SemAp::]

semioticapocalypse:

Masayuki Takaura. Eyes

[::SemAp FB || SemAp::]

semioticapocalypse:

Gianni Berengo Gardin. September Sunday #2, 1958
[::SemAp FB || SemAp::]

semioticapocalypse:

Gianni Berengo Gardin. September Sunday #2, 1958

[::SemAp FB || SemAp::]

semioticapocalypse:

Gianni Berengo Gardin. C’est ça Paris, 1953
[::SemAp FB || SemAp::]

semioticapocalypse:

Gianni Berengo Gardin. C’est ça Paris, 1953

[::SemAp FB || SemAp::]

suicidewatch:

This Primitive Sound! Vol. 4 
Soledad Brothers- Teenage Heart Attack
Jack Oblivian- Honey, I’m Too Old For You
The Cramps- The Way I Walk
The Gories- Outta Here
Thee Milkshakes- She’s Just Fifteen Years Old
Flamin’ Groovies- Have You Seen My Baby?
Paul Collins Beat- Rock N’ Roll Girl
The Pagans- Dream Lover
The Zeroes- Getting Nowhere Fast
Crime- Baby, You’re So Repulsive
The Heartbreakers- One Track Mind
Rubber City Rebels- Young and Dumb
DMZ- Don’t Jump Me Mother
The Reatards- Not Good Enough For You
The Black Lips- Ain’t No Deal
Turf War- Animal Party
GG King- The Letter
Ty Segall- The Drag
Charlie & The Moonhearts- I Hate You
The Piranhas- Cold Cold Metal
The Mummies- Justine
Teengenerate- Mess Me Up
The Dwarves- Back Seat Of My Car
The Lazy Cowgirls- Heartache
Mudhoney- Sweet Young Thing Ain’t Sweet No More
Dead Moon- It’s OK
The Scientists- We Had Love
Lime Spiders- Slave Girl
The Saints- One Way Street
Sonic’s Rendezvous Band- City Slang
Get It Here: http://www.divshare.com/download/25879628-f5a
get vol 1-3 here, here, & here. 

suicidewatch:

This Primitive Sound! Vol. 4 

  1. Soledad Brothers- Teenage Heart Attack
  2. Jack Oblivian- Honey, I’m Too Old For You
  3. The Cramps- The Way I Walk
  4. The Gories- Outta Here
  5. Thee Milkshakes- She’s Just Fifteen Years Old
  6. Flamin’ Groovies- Have You Seen My Baby?
  7. Paul Collins Beat- Rock N’ Roll Girl
  8. The Pagans- Dream Lover
  9. The Zeroes- Getting Nowhere Fast
  10. Crime- Baby, You’re So Repulsive
  11. The Heartbreakers- One Track Mind
  12. Rubber City Rebels- Young and Dumb
  13. DMZ- Don’t Jump Me Mother
  14. The Reatards- Not Good Enough For You
  15. The Black Lips- Ain’t No Deal
  16. Turf War- Animal Party
  17. GG King- The Letter
  18. Ty Segall- The Drag
  19. Charlie & The Moonhearts- I Hate You
  20. The Piranhas- Cold Cold Metal
  21. The Mummies- Justine
  22. Teengenerate- Mess Me Up
  23. The Dwarves- Back Seat Of My Car
  24. The Lazy Cowgirls- Heartache
  25. Mudhoney- Sweet Young Thing Ain’t Sweet No More
  26. Dead Moon- It’s OK
  27. The Scientists- We Had Love
  28. Lime Spiders- Slave Girl
  29. The Saints- One Way Street
  30. Sonic’s Rendezvous Band- City Slang

Get It Here: http://www.divshare.com/download/25879628-f5a

get vol 1-3 here, here, & here

semioticapocalypse:

Piergiorgio Branzi. Boy with a Clock. Comacchio. 1956
[::SemAp FB || SemAp::]

semioticapocalypse:

Piergiorgio Branzi. Boy with a Clock. Comacchio. 1956

[::SemAp FB || SemAp::]

semioticapocalypse:

Carla Cerati. Shape of Woman, 1972
[::SemAp FB || SemAp::]

semioticapocalypse:

Carla Cerati. Shape of Woman, 1972

[::SemAp FB || SemAp::]

alfiusdebux:

Leon Levinstein

alfiusdebux:

Leon Levinstein

theniftyfifties:

Eddie Cochran

theniftyfifties:

Eddie Cochran

theniftyfifties:

Eddie Cochran

theniftyfifties:

Eddie Cochran

hydeordie:

Left, John Cage, from Lecture on Nothing, 1959. Via. Read it in its entirety. Right, Lutz Bacher, from the series Sex with Strangers, 1986, 9 B&W photographs, framed, 72 x 40 inches each. From the exhibition at Galerie Bucholz, Köln, April 2014. Via.
—
In Sterling Ruby’s 2009 video installation, “The Masturbators,” male porn stars jack off alone. Recently, while interviewing him for an unrelated magazine piece, I asked Ruby what it was like to work with the men. He told me that when the porn stars came in, they were mostly full of bluster, like—you want me to what? That’s it? Ruby nodded. Then watched as, one by one, the professionals couldn’t finish the job. Some of them broke down, almost crying. One screamed repeatedly to turn off the camera. Another got so upset he threatened to break down the door between him and the smaller man, the artist, and beat him up.
Ruby said a smart thing: that it was embarrassing to be a man, but he wouldn’t have it any other way. He also said he thought the US porn industry, a phrase I can’t tell if he meant synecdochically, was cruel for telling men to come on command. I agreed, but I also thought the men broke down in their small white rooms, one at a time in front of one camera, because they’d never before had to be the lone objects of a gaze. And, lacking the feminized receptacle without which the dick can’t exist, they began to feel, for perhaps the first time in a while, the embarrassment of just being human.
Sarah Nicole Prickett, from The Ultimate Humiliation, for n+1, May 2014. Via.
See also, The Masturbators.
via fette
This reminds me of the lack of exploration into the idea/repurcussions of the female gaze and D’Angelo after his (in)famous video Untitled and the subsequent tour:
Worried that he didn’t look as cut as he did in the video, he’d delay shows to do stomach crunches. He’d often give in, peeling off his shirt, but he resented being reduced to that. Wasn’t he an artist? Couldn’t the audience hear the power of his music and value him for that? He would explode, Questlove recalls, and throw things. -Questlove

hydeordie:

Left, John Cage, from Lecture on Nothing, 1959. Via. Read it in its entirety. Right, Lutz Bacher, from the series Sex with Strangers, 1986, 9 B&W photographs, framed, 72 x 40 inches each. From the exhibition at Galerie Bucholz, Köln, April 2014. Via.

In Sterling Ruby’s 2009 video installation, “The Masturbators,” male porn stars jack off alone. Recently, while interviewing him for an unrelated magazine piece, I asked Ruby what it was like to work with the men. He told me that when the porn stars came in, they were mostly full of bluster, like—you want me to what? That’s it? Ruby nodded. Then watched as, one by one, the professionals couldn’t finish the job. Some of them broke down, almost crying. One screamed repeatedly to turn off the camera. Another got so upset he threatened to break down the door between him and the smaller man, the artist, and beat him up.

Ruby said a smart thing: that it was embarrassing to be a man, but he wouldn’t have it any other way. He also said he thought the US porn industry, a phrase I can’t tell if he meant synecdochically, was cruel for telling men to come on command. I agreed, but I also thought the men broke down in their small white rooms, one at a time in front of one camera, because they’d never before had to be the lone objects of a gaze. And, lacking the feminized receptacle without which the dick can’t exist, they began to feel, for perhaps the first time in a while, the embarrassment of just being human.

Sarah Nicole Prickett, from The Ultimate Humiliation, for n+1, May 2014. Via.

See also, The Masturbators.

via fette

This reminds me of the lack of exploration into the idea/repurcussions of the female gaze and D’Angelo after his (in)famous video Untitled and the subsequent tour:

Worried that he didn’t look as cut as he did in the video, he’d delay shows to do stomach crunches. He’d often give in, peeling off his shirt, but he resented being reduced to that. Wasn’t he an artist? Couldn’t the audience hear the power of his music and value him for that? He would explode, Questlove recalls, and throw things. -Questlove

secretcinema1:

Baltimore, 1962, Lee Friedlander

secretcinema1:

Baltimore, 1962, Lee Friedlander

jesuisperdu:

henri cartier-bresson
1960